Atlantis Bacons Essay Francis Interdisciplinary New New Fun Critical Thinking Questions

She is the author of as well as articles on Bacon, Middleton, Behn and Marston.Thematically both her teaching and research interests cross disciplinary boundaries, linking scientific, textual, philosophical and political discourses.With a background in history and art history as well as literature, Kate encourages reading literary texts in the framework and context of the non-literary, linking scientific, textual, philosophical and political discourses, and believes in enabling students to develop reading, analytical and research skills through practical experience of writing and performance.Scholarly biography and interests Dr Kate Aughterson's interests focus on seventeenth-century drama, notably with regard to gender and literature, sexuality and literature, performance culture.She taught art history at the City and Guilds of London Art school, and English literature at the University of Central England before moving to Brighton, with a focus primarily on the English renaissance.She is currently Academic Programme Leader for Literature, Media and Screen at Brighton University. “In Aphra Behn: The Comedies, part of the Palgrave Macmillan series Analyzing Texts, Kate Aughterson provides a remarkable teaching tool that leads the reader through a detailed textual analysis of three of Behn's plays, The Rover, The Feigned Courtesans, and The Lucky Chance.Dr Kate Aughterson created and leads the BA (hons) English Literature at Brighton University.Her scholarly interests focus on seventeenth-century drama, notably with regard to gender and literature, sexuality and literature, and performance culture.

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The book presents unlimited power for the rule of self-appointed "scientific" experts - for example it is forbidden to even tell ordinary people that the Earth goes round the Sun.

There are no legal principles of natural justice (natural law) limiting the power of this elite of experts in Sir Francis Bacon's version of utopia.

Kate’s most recent work on theatre, performance and gender has been on Aphra Behn and her context, building on the well-received publication of her her in 2003.

She has a written articles on Behn’s work within her seventeenth-century performance and reading context and is part of a collaborative enterprise of feminist scholars led by Professor Elaine Hobby who will be editing the complete works of Aphra Behn for Cambridge University Press (2019-). Kate turned to literature after studying history for a year at Oxford, and gained her doctorate from the University of Oxford in 1990 on the philosopher Sir Francis Bacon.

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  1. If you just find someone else’s work and say it’s your own, you’re not actually learning anything. When you finish school, that’s knowledge that you missed out on, stuff you needed to know for the real world. Plagiarism is a serious thing and you want to make sure to avoid it at all costs.